Thursday, June 27, 2019
Monday, June 24, 2019
Joshua Gersen, above, who led a spectacularly successful concert, starting with Arvo Pärt's 1977 Fratres for strings and percussion.
Friday, June 21, 2019
click here for the PDF). He writes: "At the beginning of the 1960s, Warhol's work looked new because of a technique new to art—the half-tone silkscreen. It was the ultimate low-to-high inversion...Warhol was the first artist to grasp the potential for pattern and rhythm released by the screen-print process; it could be both mechanical and expressive at the same time."
Catholic magazine called Angelus, Mike Aquilina writes: "Scholars note the similarities between Warhol’s art and the traditional Byzantine icons of his childhood. He favored gold backgrounds and flattened human figures. His images of Elizabeth Taylor and Jacqueline Kennedy have been compared to Madonnas. His repeated motifs are like the multiple Hail Marys in the rosary. Like icons, Warhol’s artworks are not historically accurate, but symbolically rich. Where the iconographers used books, birds and buildings, Warhol used product logos. If Christ is Light of the World, Warhol presents him with the logo from General Electric lightbulbs. If the Redeemer embodies divine wisdom, Warhol portrays him with the Wise potato-chip logo. If Christ receives the Holy Spirit as a dove, Andy borrows his dove from a package of soap." The above painting is a camouflage version of The Last Supper.
Wednesday, June 19, 2019
Garden of Memory Solstice concert at Chapel of the Chimes in Oakland this Friday where excerpts from the work will be performed.
Thursday, June 13, 2019
David Daniels, the star countertenor embroiled in a particularly nasty gay version of a MeToo scandal, who has been dropped by opera houses and concert halls around the world over the last year. Cohen is still in the company's student Adler program, so this was quite a career jump, but vocally he projected well and may have had the most beautiful, effortless-sounding soprano voice of the afternoon. One oddity of the libretto is that nobody loves the title character while Dorinda and Angelica are both in love with Medoro. At one point in the translated supertitles, one of them confesses she is in love "because he is young, handsome, and strong," which got a laugh from the audience even though Cohen fit the bill.
Sunday, June 09, 2019
(For a well-written background story by Jonathan Curiel at SF Weekly, click here.)
Thursday, June 06, 2019
In 2010, I had heard a long, complex, and brilliant violin concerto by Schwendinger at the SF Conservatory conducted by Nicole Paiement, and the chamber score she has written for Artemisia is similarly absorbing.