Monday, December 30, 2019
Sunday, December 29, 2019
Wednesday, December 25, 2019
Iron Tongue of Midnight blog who the top four contenders might be (either Eun Sun Kim, James Gaffigan, Christopher Franklin, or Henrik Nánási), and one of her hunches was correct.
Thursday, December 05, 2019
Ars Minerva presented its fifth annual opera production, rediscovered from the Venetian library vaults, and the troupe under founder Céline Ricci just keeps getting more accomplished each year. The 1680 Ermelinda, composed by Domenico Freschi with a libretto by Francesco Maria Piccioli, was originally presented as a lavish musical entertainment for a Polish prince at a country palazzo. 440 years later it was receiving its second set of performances at the tiny ODC Dance Theater in the Mission District of San Francisco in what felt like a feat of time travel. The piece is anchored by a love trio involving contralto Sara Couden as the nobleman Ormondo who spends much of the opera posing as the lower-born Clorindo, mezzo Kindra Scharich as an insanely determined suitor for Clorindo's love, and mezzo Nikola Printz as the title bored teenager who has been dragged to the provinces by her father to keep her safe from the sins of the city.