Wednesday, June 19, 2019
Thursday, June 13, 2019
David Daniels, the star countertenor embroiled in a particularly nasty gay version of a MeToo scandal, who has been dropped by opera houses and concert halls around the world over the last year. Cohen is still in the company's student Adler program, so this was quite a career jump, but vocally he projected well and may have had the most beautiful, effortless-sounding soprano voice of the afternoon. One oddity of the libretto is that nobody loves the title character while Dorinda and Angelica are both in love with Medoro. At one point in the translated supertitles, one of them confesses she is in love "because he is young, handsome, and strong," which got a laugh from the audience even though Cohen fit the bill.
Sunday, June 09, 2019
(For a well-written background story by Jonathan Curiel at SF Weekly, click here.)
Thursday, June 06, 2019
In 2010, I had heard a long, complex, and brilliant violin concerto by Schwendinger at the SF Conservatory conducted by Nicole Paiement, and the chamber score she has written for Artemisia is similarly absorbing.