Wednesday, July 23, 2014
The Veterans Building on Van Ness Avenue has been wrapped in black for its retrofit...
...while construction workers climbed around the rooftop on Tuesday.
Down below, there was a small army of teenagers recruited by the Department of Public Works to work on the planted medians of Van Ness Avenue between Grove and Turk Streets.
It was good seeing the city offer summer jobs to "disadvantaged youth" for a public works project rather than the usual lip service.
Tuesday, July 22, 2014
This Sunday, July 27th at 2 PM, there will be a free concert given by the San Francisco Symphony.
The program includes the Mendelssohn violin concerto played by the baby-faced 24-year-old soloist Benjamin Beilman above left, along with Edwin Outwater conducting a few musical bon-bons by Mozart and Tchaikowsky. If you are thinking of attending, my suggestion is to bring a blanket and/or beach chairs because the hard-packed dirt seating area is uncomfortable.
The quadrangle was a lawn for decades before then-Mayor Gavin Newsom had it ripped out in the summer of 2008 for Alice Water's "Victory Garden," and the grass was never replaced for some reason. Newsom is the binge thinker who gifted the city with a $15 million debt via his embrace of the America's Cup races, gave us the disastrous Ed Lee as his successor "caretaker" Mayor, and is currently suing San Francisco to overturn the recently passed Proposition B. In his role as one of three members of the California State Lands Commission, Newsom doesn't believe voters should have any say in local land use decisions. If his casual destruction of the Civic Center lawn is any indication, he's the one who should be restricted from those kinds of decisions.
Monday, July 14, 2014
The American Bach Soloists opened their annual fortnight summer Festival & Academy at the San Francisco Conservatory on Friday evening with a concert entitled Bach's Inspiration that consisted of one unexpectedly beautiful musical treat after another.
The concert started with a short, wild cantata by J.S. Bach's older cousin, Johann Christoph Bach, taken from the Book of Revelation entitled Es erhub sich ein Streit im Himmel about the war in heaven between Michael and his angels and Satan and his dragon, complete with drums, brass, five soloists and an exquisite chamber chorus. Leading the energetic violin section was Elizabeth Blumenstock and Robert Mealy above.
This was followed by Jesu, meines Lebens Leben, a chorale for four soloists and the same chorus from one of J.S. Bach's composing heroes, Dieterich Buxtehude, that was similarly expressive.
Derek Chester above was the tenor soloist for Johann Kuhnau's early 18th century cantata Wie schon leutet der Morgenstern, with Chester weaving in an out of the chamber orchestra and chorus quite elegantly.
The only dull spot on the program was Frederick the Great's Concerto for Flute in C Major (#3), which brought to mind Gordon Getty's subsidized compositions, though at least Frederick mostly confined himself to composing tranverse flute sonatas, which was his own instrument. Sandra Miller performed her best on Friday, but after the great choral music, it felt like a letdown. There was no such problem with Alessandro Marcello's 1717 Concerto for Oboe in D Minor, dispatched by the small orchestra and soloist Debra Nagy above with stylish energy, helped by the fact that the piece is one of the best Italian style concerti ever written.
The wonderful capstone of the evening was J.S. Bach's rewrite of Pergolesi's Stabat Mater, which is called Tilge, Hochster, meine Sunden in German. Possibly because good Lutheran Protestants are not Mary worshipers like Holy Roman Papists, the text has been changed from a Latin lament by the Virgin Mary standing at the cross under her crucified son, and becomes an entreaty from a sinner to God. Although slightly reorchestrated by Bach, it's essentially the same music, and the performance by countertenor Eric Jurenas and soprano Mary Wilson above on Friday was simple and moving, and the blending of their two contrasting sopranos was often miraculous. At times, you couldn't make out which soprano was starting a musical phrase and who was finishing it. Really, really lovely.
The Festival continues through next Sunday, and there are free seminars during the day, $10 student concerts in the evening, and performances by a commingling of students and teachers throughout next weekend. Highly recommended. Click here for a schedule.
Sunday, July 13, 2014
A huge crowd showed up for the Sunday noontime live broadcast in San Francisco's Civic Center of the World Cup Final from Brazil.
There were a pair of screens set up at the corner of McAllister and Polk where the Argentine fans congregated...
...while another pair of screens were set up in front of the hard-packed dirt in the center of the plaza...
...which is where the Deutschland fans had set up camp.
The Argentine crowd was enthusiastic and enormous fun to watch, and their team performed valiantly...
...but the heavily favored Germany triumphed in extra time for a thrilling finish.